[SPECIAL TIME] Glee Season 4 Episode 15 “Girls (And Boys) On Film”

Glee “Girls (And Boys) On Film” Season 4 episode 14 airs Thursday, March 7 2013 (9:30-10:30 PM ET/PT) on FOX. Episode Synopsis: Glee Season 4 Episode 15 “Girls (And Boys) On Film” – As everyone recovers from Will and Emma’s wedding, the glee club is given the assignment to sing their favorite song from a [...]
[SPECIAL TIME] Glee Season 4 Episode 15 “Girls (And Boys) On Film”
Posted in Glee |

‘Glee’ Sneak Peek: Watch Emma and Will’s Show-Stopping “All the World” Performance

Fox is gearing up for Glee‘s 500th musical number in the upcoming March 7th episode, “Girls (&Boys) On Film.” As the title suggests, the episode will feature the gang paying homage to Hollywood, and the network has released Will and Emma’s ode to the classic film Royal Wedding to get you in the mood for [...]
‘Glee’ Sneak Peek: Watch Emma and Will’s Show-Stopping “All the World” Performance
Posted in Glee |

Pilot News: Glee’s Vanessa Lengies to Shake Things Up in ABC’s Mixology

ABC is adding some Sugar to its Mixology.
Glee‘s Vanessa Lengies has been cast as a lead in the Alphabet Net’s comedy pilot, which is set in a sexy Manhattan bar, our sister site Deadline reports.
The high-concept, single-camera project follows five single guys and five single girls as they look for love over the course of an evening. Lengies will play Kacey, a personal trainer by day/waitress by night who has an incredibly upbeat outlook on life.
In addition, Adam Campbell (Touch, Wedding Band) and Craig Frank (Up All Night, The Lizzie Bennet Diaries web series) have been cast as two of the other romance seekers. Campbell’s Ron is an Internet wunderkind in debt following the demise of his startup, and Frank’s Cal is a hot, dumb hunk of masculinity.
In addition to playing Glee‘s self-diagnosed say-anything gal, Lengies’ TV credits include HawthoRNe, Castle and Rules of Engagement.
Pilot News: Glee’s Vanessa Lengies to Shake Things Up in ABC’s Mixology
Posted in Glee |

Glee Recap: Wedding Belle Blues

“Emma’s left the building.” And yet that at-the-altar announcement by ice-cold Sue Sylvester was only the tip of the iceberg on an action-packed episode of Glee that kept the “Say what now?” surprises coming right down to the very final scene.
Oh yes, folks, “I Do” contained the following eyebrow-raising plot developments:
* Emma, reeling from the pressure of planning her wedding all alone while Will was in Washington, DC with his blasted blue-ribbon panel, got the coldest of cold feet, delivered an incredible rendition of “(Not) Getting Married Today” and fled the church via putrid green taxi. (Am I the only one who finds Jayma Mays’ musical numbers to be consistently awesome and wishes there were more of ‘em?)
* Mr. Schue took the rejection hard — especially since he felt like his absence was the catalyst for the cataclysmic event. But best man Finn — still feeling guilty about kissing the bride 10 days before her big day — helped rally his former teacher/current bestie and made him realize he needs to go out into the world, club his woman over the head and drag her back to the cave (so to speak). Here’s hoping, though, that Finn heeds Rachel’s advice and never mentions the kiss to Schue. As the Lady Berry noted, dude always dreamed of being an actor: “Here’s your chance to play the role of the supportive best man.” Oh snap! (Side note: How hot did Finn look in that wooly brown sweater during his chat with Will in the teacher’s lounge?)
* Under the “What Happens at the Reception Stays at the Reception (Even if It’s No Longer Really a Reception)” Clause, we got hookups between Rachel and Finn, Kurt and Blaine, Quinn and Santana, Artie and Emma’s niece (The Glee Project‘s very cool Ali Stroker), but not for Jake and Marley. Final score: Wah-chicka-wah-waah, 4; Chastity, 1. While Quinn labeled her sapphic awakening as a one-off (okay, make it a two-off) and Kurt tried to play it casual, it was clear where Finn stood on the matter of his future with Rachel: “We are endgame. I know that, and you know that,” he said with mix of optimism and steely resolve. It was as if Glee‘s writers were shouting to the show’s core fans, “Don’t worry — we’ll get these crazy kids back together, but you might have to be patient!” Interestingly, it was Rachel who plucked the final affirmative petal off Finn’s “she loves me, she loves me not” flower. Talk about saying it with flowers. Grrrrl!
* Mercedes and Mike attended the wedding, too, though I’ve got to question why. Mercedes sang a couple lines of music and dropped a bon mot about needing her “arm gays,” while Mike didn’t get to speak at all. Why bother, really? Just to tell fans that they’re still part of the cast? Tina, meanwhile, finally dropped her crush on Blaine — and not a second too soon, I might add!
* In underclassman news, Ryder played Cyrano de Bergerac and helped Jake give Marley a first-rate Valentine’s Week, while clearly pining for her the whole time. But when Jake noted he thought her was “so getting laid” after the reception, Ryder was aghast and insisted Marley wasn’t ready for the full Puckerman. Later, Marley told Ryder she knew he was behind all the Valentine’s romance, and after she sweetly thanked him, he planted a kiss on her lips right there in the McKinley hallway. Triangle alert. Dunn dunn dunnnn!
* Back at home in NYC, it appears that Brody might be paying for his college tuition via the world’s oldest profession. What other reason would he be exiting hotel rooms with copious amounts of cash in his hands? This isn’t going to end well, is it? Burning question: Is Brody’s clientele male, female, or a little of both?
* Oh, and hold on to your wedding hats, ladies and gents, but Rachel might be pregnant. Or so said her day planner. And maybe that home pregnancy test she was taking in her bathroom. The look on her face wasn’t exactly Tony the Tiger trumpeting “I just got some grrrrrrrreat news!” Still, for a girl who’s all about the Sex and the City dream right now, shouldn’t she have invested in a box of condoms?
Episode’s Best Zingers
“Al Roker’s disgusting, by the way.” –Santana, responding to Quinn’s comment that Schue and the Today weather dude were the only decent men alive
This exchange, delivered mid-backseat-makeout session…
Blaine: This is just bros helping bros.
Kurt: I love when you talk fratty.
“You’re a weird bird lady with a hollow pelvis and OCD, and Will Schuster is a weepy man-child whose greatest joy in life is singing with children. And his best friend is 19.” –Sue, giving Emma additional reasons not to go through with the wedding
I’ll be back in an hour or so to update this recap with grades for every musical performance and additional plot deets, but until then, I turn it over to you. What did you think of “I Do”? Did you (like me) think this was yet another incredible week for Jayma Mays? What do you make of Rachel’s possible bun in the oven? How about that speech from Finn? And what about the week’s other hookups? Sound off in the comments!
Glee Recap: Wedding Belle Blues
Posted in Glee |

Glee Recap: Diva-ine Intervention [Updated]

Don’t say “diva” like it’s a dirty word. I mean, if living legend Aretha Franklin was more than happy to be front and center for VH1′s “Divas Live” extravaganza, then who are the rest of us to treat it like a common four-letter word, right?
Okay, so diva-dom might also be about milquetoast Emma Pillsbury reducing Cheesecake Factory managers to tears, and Rachel Berry’s runaway ego stomping around New York City like King Kong after an expensive blowout at the salon. It could even prompt Tina Cohen-Chang to withhold her “soup” from an ailing Blaine Anderson. Yikes!
Those opposing sides of the diva coin got scrutinized in this week’s Glee, a mostly lighthearted, music-packed hour with a moral that came from the mouth of Kurt Hummel: “Hold the nightmare, but bring the diva. Your work speaks for itself.”
If you were too busy reading Martha Stewart Weddings to catch the episode, here’s what you missed on Glee:
* Kurt, infuriated by Rachel’s increasingly inflated, post-Winter Carnival sense of self-importance (and the “sycophant” pals that came with it), decided she needed to be “taken down a notch.” His strategy? Challenge her to NYADA’s “Fight Club” for vocalists — Midnight Madness — where he indeed proved triumphant “by the closest margin in history.” A dejected Ms. Berry couldn’t get her mojo back and decided to skip an open call for Funny Girl, not because she lost, but because she feared success would turn her into a monster and alienate her friends. Kurt, though, like a good BFF is supposed to do, helped Rachel realize that — with an occasional dose of real talk — she might be able to have it all. (Silent applause.) I also dug the way that Rachel — even at her most self-absorbed — stuck up for Kurt when her catty cronies tried to ridicule him behind his back. See, girlfriend can evolve and yet remain true to her roots!
* Finn, worried about New Directions’ changes at Sectionals, turned to Emma for advice. Her plan? Diva Week! Still, as the guidance counselor helped Finn whip his glee club into shape, and as he helped her put the finishing touches on her upcoming wedding ceremony (only 10 days away), the Best Man began to develop strange feelings for the bride. When “Miss Pillsbury” had a panic attack, Finn snapped her out of it by planting a kiss — on her lips! That’s not gonna make next week’s nuptials awkward or anything… But it did give Jayma Mays quite the startling, dramatic scene; I totally bought her freakout, especially considerng she’s carried the wedding-planning burden all alone in Will’s absence. Good work!
* Speaking of wrong-minded romantic pursuits, Tina continued her pining for Blaine, right down to knocking him out with cold medicine and then straddling him to rub Vicks on his smooth, mucus-filled chest. (Eeep!) Somehow, Blaine’s lack of romantic interest made Tina a little angry, but she channeled those feelings into a lively cover of Madonna’s “Hung Up” and won Diva Week in the process. (Sorry, Unique!) Now, though, Blaine’s taking his McKinley bestie as his date to Will and Emma’s wedding, and I get the sense that she’s still holding on to the very weird idea of “a sexless thing” to get her through the school year. This doesn’t make any sense to me, but I’ll play along and see where the writers take us.
* Finally, Santana returned to McKinley, determined to create a rift between Brittany and Sam, but by the end of the hour, realized that it wasn’t her ex-girlfriend’s new relationship that was bugging her. The recent college dropout really pined for The Big Apple, and Brittany helped her realize that a bus ride to Manhattan was her destiny. A final-act rendition of “Girl on Fire” found the Lady Lopez bursting out of McKinley’s doors and emerging from a New York City subway, then heading to Kurt and Rachel’s place. Guess what, bitches? She’s moving in! (And let’s be honest, they could use an extra income to help pay what’s got to be extraordinary rent — even in distant Brooklyn.)
And now on to grades for the week’s musical numbers:
The ladies and gays of New Directions, “Diva” | The costumes and finery were fabulous, but I didn’t like the sped-up rearrangement of Beyoncé’s speak-talk hit, nor did any of the glee clubbers in question really seem to capture the street-swag essence of the ditty. Grade: C+
Blaine, “Don’t Stop Me Now” | I can’t be the only one who winced seeing Blaine Warbler in a leather cap and leather jacket with studded collar, tragically posturing his way through a Freddie Mercury hit, can I? Just no. Grade: D+
Santana, “Nutbush City Limits” | How awesome was it when Santana burst into the choir room and gave McKinley a jolt of her patented charisma? She’s really been missed this season, but here’s hoping her triumphant closing note signals that she’s back to stay for a while. Grade: A-
Santana and Sam, “Make No Mistake, She’s Mine” | Pretty enough, but I’m not sure I bought the stakes behind the duo’s battle for Brittany. Plus, Ms. Pierce’s choice who she dates, not Sam’s or Santana’s? Grade: B-
Kurt Vs. Rachel, “Bring Him Home” | Yowza that was as lovely as a bruising musical battle could be, but when it was all said and done, I’d probably have ended up on Rachel’s side of the room. (Wouldn’t it have been a more interesting plot twist, by the way, if Rachel had actually been triumphant?) Grade: A-
Tina, “Hung Up” | What an oddly filmed musical number, no? I liked that Tina went all-out in Madonna’s trademark pink leotard, but half the number the director reduced her to a background player, with constant frantic cuts to her background breakdancers, the awed members of New Directions and the McKinley lunchtime crowd. Best part for me was Tina’s dismissive, “Don’t even worry about it” as Finn, Emma and company went to congratulate her. Diva! Grade: B+
Santana, “Girl on Fire” | Even if it hadn’t ended with Santana in the City, I’d have given this stellar vocal an ‘A’; thankfully, though, this turned out to be one of those musical performances on Glee that’s both a delight on its own while also advancing the plot in a neat and thrilling fashion. Grade: A
And now for your week in zingers…
Rachel holding up “Saving my voice” and “Will you take a message?” cue cards to try to get Kurt to answer the phone for her.
“The Online Urban Dictionary defines a diva as ‘a fierce, often temperamental singer who comes correct. She is not a trick-ass ho and she does not sweat the haters.’” –Emma, discussing the word ‘diva’
“Raven-Symoné.” –Brittany, pretty certain she’d guessed the special guest performing for New Directions
“And I didn’t even have to lay out a line of cereal for you to find me.” –Santana, after luring Sam to meet her in the auditorium (oooh, burn!)
Sanatana’s reference to a Rizzoli & Isles lesbian subtext blog
Glee Recap: Diva-ine Intervention [Updated]
Posted in Glee |